Soldini Sets Sail for Cape Lizard

Italian sailor Corrado Rossignoli had landed in New York from Milan just two hours ago. Now, he was pacing the dock at North Cove Marina in lower Manhattan, waiting to meet the new crew with whom he’d be attempting to break a transatlantic world record.

It was 9 p.m., and the goal was to leave within two hours for Ambrose Light, where the team would set out for Cape Lizard in southwestern England. A diver had just splashed, tasked with scrubbing away any bits of algae and residue that might have accumulated during Maserati’s nearly two-month stay in North Cove.

“If you lose by 20 minutes, I don’t want to be the reason,” the diver joked to Skipper Giovanni Soldini, the 45-year-old veteran Italian sailor at the helm of the 70-foot monohull Maserati, which was once the Volvo Ocean Race boat Ericsson 3, now modified to be significantly lighter.

Soldini had spent most of the past two days trying to get his new crew in town to take advantage of the window of opportunity he’d been waiting for. A low-pressure system was kicking up winds that could be just right for breaking the nine-year-old record for fastest transatlantic crossing in a monohull: 6 days, 17 hours, 52 minutes, 39 seconds, held by Robert Miller and the Mari Cha IV, a vessel twice the size of Maserati carrying three times the crew.

American crewmember Brad Van Liew flew in from Charleston that afternoon, as did Sebastien Audigane and Ronan Le Goff from France, and Javier de la Plaza from Spain. They met Soldini and boat captain Guido Broggi, who’ve been in New York since late March, passing the nights drinking espresso and grappa at the Battagli-Bastianich collaborative restaurant-market Eataly, their meal sponsor.

Soldini and Broggi had a full crew for the first attempt, but some, including German sailor Boris Herrmann, had to return to Europe for other regattas.

Now, Rossignoli and the British sailor Tom Gall made for a team of eight that huddled around the stern at 10 p.m. for a safety briefing. Soldini handed out personal locator beacons, strobes, headlamps and extra batteries – standard precautions, though the crew would be facing some big challenges. Satellites were already counting about 40 icebergs in their path – and those were just the ones large enough to detect.

“You only need a piece of ice the size of a soccer ball to end the game,” said Gall. It’s hard to maneuver around these obstacles when you’re traveling at 20 knots, their target average speed.

But there was little time to worry. Soldini sailed through sail descriptions, and Broggi ran through winch operations and watch schedules. Just past 11 p.m., after the extra gear had been sent off with a courier, Soldini and his crew cast off for Ambrose into a still Hudson River.

Just past the Verrazano Bridge, the winds picked up, rain set in, and the swell grew. Once at Ambrose, they waited until 3 a.m. – and then, they were off.

Behind The Lens: the Maserati Shoot

Five years ago at the Emmy Awards a TV News colleague said “this is a highlight of your career.”

I never thought of it that way, but while escorting Maserati eight nautical miles out to sea aboard my 12 foot boat, in the middle of the night, in swell and rainy conditions, I found myself thinking ‘now THIS is what I consider a highlight’.

I had been commissioned by Giovanni Soldini’s PR Team to photo document the crew’s final preparations on the dock, for the racing yacht’s transatlantic record attempt.

My car was loaded with gear, when Soldini called asking if I could also bring my boat to push Maserati’s bow around to better maneuver her out of North Cove Marina.

The forecast called for 25 knots of wind and the Hudson River has strong currents, so he felt it was crucial to have a support boat in the harbor when casting off the lines.

I thought to myself ‘How am I going to run boat operations and photo/video on the dock at the same time… I need assistants!’ Kristina Fiore and Joel Gibson had been onboard with RIBphoto.com (now New York Media Boat) since day one, and immediately offered their availability.

They would take the photography equipment by car to lower manhattan, while I ran the boat over to North Cove Marina. Parking in that area is a real challenge but after paying off a hotel concierge, the loading zone was ours.

Soldini was below deck charting icebergs, bowman Corrado Rossignoli focused on checking all ten sail bags, while a diver gave the hull a last wipe-down. Shortly after our arrival at 9:00 pm the rest of the Maserati crew came down the dock. Brad Van Liew expressed concern that the latest weather update slightly differed from what had previously been predicted.

Personally I like to shoot with a 12-24mm lens when working on boats as it captures a good amount of deck space. In this case the helm, winches and three carbon fiber grinders added a nice touch.

Joel and I were hitting the shutter buttons, as on-board preparations continued, and Kristina managed to arrange for a video interview with second bowman Tom Gall – who’s biggest worry are growlers south of Newfoundland.

A steady and annoying rain had set in and I was glad to have opted to bring equipment dry-bags.

Around 10:00 pm Soldini held a final briefing and boat captain Guido Broggi distributed PLB’s, strobes, and the watch schedule.

There was a pile of bags on the dock with non-essential gear that needed to be shipped to London in order to lighten the boat and Soldini grew nervous as the hired courier was running late. After promising him that we’d take care of it, he felt ready to cast off.

My crew split up. Kristina stayed on the dock to handle equipment bags and the car. Joel kept shooting aboard Maserati and captured one of my favorite photos of Soldini setting course towards Ambrose Light.

I ran the RIB and took shots of the yacht in front of the new york skyline.

Once clear of the marina, Soldini gave orders to hoist the main. He then motioned me to come alongside for a moving transfer of Joel from Maserati to the small boat, at about 15 knots.

We continued chasing Maserati past the Statue of Liberty and under the Verrazano Bridge.

With the ISO screaming at 6400, the camera LCD showed more than the naked eye could see.

These were extremely difficult shooting conditions, but I was pleased with the results while cranking the ISO to the max, as I like to normally keep it below 1200.

Once the lights from the NY boroughs faded and Maserati sailed onto a pitch black Atlantic Ocean, we wished them good luck and reversed our course.

Just after 2:00 am we docked the RIB at Liberty Landing Marina, where Kristina awaited our return.

A preliminary photo selection was made for the Italian PR firm just in time for them to start their workday in a timezone 6 hours ahead of ours.

It was an successful shoot and I want to thank Kristina and Joel for their hard work on short notice.

Check out a list of where the photos from this shoot were published.